| Sep
20 |
Portland
|
| Sep
21 |
Charles
de Gaulle, Delft
|
| Sep
22 |
Amsterdam,
Delft
|
| Sep
23 |
Delft,
Rotterdam, Stromberg
|
| Sep
24 |
Dinkelsbühl,
Munich
|
| Sep
25 |
Schloss
Neuschwanstein, Munich
|
| Sep
26 |
Munich,
Solnhofen, Rothenburg ob der Tauber
|
| Sep
27 |
Rothenburg
ob der Tauber, Salzburg
|
| Sep
28 |
Berchtesgaden,
Salzburg
|
| Sep
29 |
Salzburg,
Vienna
|
| Sep
30 |
Vienna,
night train
|
| |
|
| Oct
01 |
Venice
|
| Oct
02 |
Venice,
Verona, Florence
|
| Oct
03 |
Florence,
Pisa, Cinqe Terre (Monterosso)
|
| Oct
04 |
Cinqe
Terre: Riomaggiore, Manarola, Corniglia, Vernazza, Monterosso
|
| Oct
05 |
Cinqe
Terre (Monterosso), Rome: Coliseum, Forum
|
| Oct
06 |
Palestrina,
Rome: St. Peter's, Vatican Museum
|
| Oct
07 |
Rome:
Pantheon, Spanish Steps, Trevi Fountaine, Palatine Hill, etc.
|
| Oct
08 |
Santa
Maria Capua Vetere, Caserta, Naples
|
| Oct
09 |
Pozzouli,
Santa Maria Capua Vetere, Caserta, Naples
|
| Oct
10 |
Positano
|
| Oct
11 |
Mt.
Vesuvius, Pompeii, Positano
|
| Oct
12 |
Paestum,
Positano
|
| Oct
13 |
Positano,
Amalfi, Ravello, night train
|
| Oct
14 |
Taormina
|
| Oct
15 |
Catania,
Palermo, Trapani
|
| Oct
16 |
all-day
ferry, Tunis
|
| Oct
17 |
Tunis,
Thuburbo Majus, Zaghouan, Kairouan
|
| Oct
18 |
Kairouan
|
| Oct
19 |
Mactaris,
Sufetula, Kairouan
|
| Oct
20 |
Kairouan,
Monastir, El Jem, Houmt Souk
|
| Oct
21 |
Ajim,
Medenine, Ksar Hadada, Tataouine
|
| Oct
22 |
Ksar
Ouled Soltane, Douirat, Chenini, Foum Tataouine, Matmata
|
| Oct
23 |
Matmata,
Douz, Chott El D'Jerid, Tozeur
|
| Oct
24 |
Sidi
Bouhlel, Chott El Gharsa, Tozeur
|
| Oct
25 |
Chebika,
Tamerza, Mides, Seldja Gorge, Tozeur
|
| Oct
26 |
Sidi
Bouhlel, Chott El D'Jerid, Tozeur
|
| Oct
27 |
Chott
El Gharsa, Chott El D'Jerid, Sidi Bouhlel, Tozeur
|
| Oct
28 |
Chott
El D'Jerid, Sidi Bouhlel, Tozeur
|
| Oct
29 |
Dougga,
Sidi Bou Said, La Marsa
|
| Oct
30 |
La Marsa,
Rome
|
| Oct
31 |
Rome,
Atlanta, Portland
|
|
| ©2001-2008 by Mitch Darby - all rights reserved. |
STAR
WARS CANYON ['cont.]
True
to my word, a day or two later I was up with the sun and back at the canyon.
And so was my Tunisian friend. Opening my book of stills, I turned to
a section of pages showing shots from RAIDERS OF THE LOST ARK. I knew
the lost city of Tanis was filmed very near this area, but the shots I
had were mostly close-ups and only revealed landmarks such as palm trees.
Not very descriptive to say the least. However, my new friend had ideas
and after a short hike we arrived at the first telltale spot. The remnants
of a dirt road and the unmistakable form of the landscape it cut through
was enough to tell me that this had been the location where Harrison Ford
caught up to the Nazi truck carrying the Ark Of The Covenant. The low
rise before us was the same spot from where he made his final assault
via horseback. After climbing it to take a photo, we continued on down
the other side and into a low plain.
We
walked toward a small grove of palms and upon reaching it, my friend paused
to look at one of the stills. He glanced up at the landscape several times
before looking over at me and pointing out the entrance to the "map
room" at the top of a low hill. Disbelieving, I looked at the photo
and then at the hill. A small scoop had been taken out of the top of it.
Could this be the place? We climbed to the top and found that it was indeed.
Pieces of plaster littered in the small depression confirmed the spot
of the false opening (the interior was again, a set on a London sound
stage).
Looking
again at the book of stills, he pointed out the location of the landing
field where the German "flying wing" had been stationed. Now
a palm nursery, very little remains of the runway. Looking back the other
way, he pointed towards a low ridge that bordered the flat. We descended
from the Map Room entrance and walked towards the ridge. As we moved along
the top of it, I noticed more patches of broken plaster. It amazed me
that after twenty years, crumbling bits of the sets still remained. In
some of the patches, bits of Styrofoam could be found as well. Together
with the plaster, they were the building materials of the Tanis dig site.
Once upon a time, they represented an ancient Egyptian obelisk or part
of a stone temple. Today, they are archaeology unto themselves.
From
a high point on the ridge, we could see the Map Room entrance and the
location of the airfield. In addition to these, a low mound marked the
center of the dig site. A large cement foundation could be seen in the
foreground as well as in one of my production stills. This was the place!
The only challenge left was to find the location of the Well of Souls.
I targeted a low hill on the other side of the flat. Reaching it, we found
more plaster and Styrofoam. The final piece of the puzzle was in place.
At this spot, the entrance to the Well of Souls had been built. While
the interior had been built and filmed with others in London, the exterior
shots of its discovery and opening had been filmed here...
|
|
West of Tozeur
is the smaller oasis town of Nefta. West of Nefta is the Tunisian/Algerian
border. Cross the border and you will find death and chaos. However, should
you turn off the road before the border you will find the following...
| |
From
STAR WARS : EP. IV : A NEW HOPE
© Lucasfilm Ltd., 20th Century Fox, etc.

EXT.
TATOOINE - DUNE SEA.
Threepio,
hot and tired, struggles up over the ridge of a dune; only to find
more dunes, which seem to go on for endless miles. He looks back
in the direction of the now distant rock mesas.
|
|

01) "LA GRAND DUNE" | Same
area - October 2000. At the crest of the dune you can see my "guide"
and to the left of him another dark spot - my camel.

02) CHOTT EL D'JERID | Familiar
mirage.

03) "LARS HOMESTEAD" | The
Lars Homestead, recreated by the Episode II team on the exact same spot
as the original (located by the eroded remains of 20+ year old rings of
earth).
| |
From
STAR WARS : EP. IV : A NEW HOPE
© Lucasfilm Ltd., 20th Century Fox, etc.

EXT. TATOOINE - DESERT - LARS HOMESTEAD - AFTERNOON.
The
Jawas mutter gibberish as they busily line up their battered captives,
including Artoo and Threepio, in front of the enormous Sandcrawler,
which is parked beside a small homestead consisting of three large
holes in the ground surrounded by several tall moisture vaporators
and one small adobe block house. The Jawas scurry around fussing
over the robots, straightening them up or brushing some dust from
a dented metallic elbow. The shrouded little creatures smell horribly,
attracting small insects to the dark areas when their mouths and
nostrils should be. Out of the shadows of a dingy side-building
limps Owen Lars, a large burly man in his mid-fifties. His reddish
eyes are sunken in a dust-covered face. As the farmer carefully
inspects each robot, he is closely followed by his slump-shouldered
nephew, Luke Skywalker.
|
|

04) "LARS HOMESTEAD" | Late
afternoon on the salt flat.

05) "LARS HOMESTEAD" | Self-portrait.
I'd just like to point out, once again, that I'm not wearing socks.
| |
From
STAR WARS : EP. IV : A NEW HOPE
© Lucasfilm Ltd., 20th Century Fox, etc.

EXT.
TATOOINE - LARS HOMESTEAD
The
giant twin suns of Tatooine slowly disappear behind a distant dune
range. Luke stands watching them for a few moments, then reluctantly
enters the domed entrance to the homestead.
|
|

06) "LARS HOMESTEAD" | This
is what Mark Hamill saw.
| |
From
STAR WARS : EP. IV : A NEW HOPE
© Lucasfilm Ltd., 20th Century Fox, etc.

EXT. TATOOINE - LARS HOMESTEAD
The
giant twin suns of Tatooine slowly disappear behind a distant dune
range. Luke stands watching them for a few moments, then reluctantly
enters the domed entrance to the homestead.
|
|

08) "LARS HOMESTEAD" | I
tried to recreate the scene of photo 07a (above). My twin suns are a little
too close together (same colors though!).
I visited
the La Grande Dune and the "Lars Homestead" in the early mornings
and late afternoons of several days (not just today). However, on this
day, I spent much of the afternoon back out near the town of Bouhlel,
retracing the filming sites of RAIDERS OF THE LOST ARK.
| |
From
RAIDERS OF THE LOST ARK
© Lucasfilm Ltd., Paramount, etc.

EXT. THE DESERT (VARIOUS SHOTS) - DAY
Indy
cuts crosscountry avoiding the road the convoy has taken. He leaps
gullies, climbs dunes, slides down slopes. Soon the convoy comes
into view far below him. He tears along a parallel ridge, like an
Indian shadowing a wagon train.
|
|

08) NEAR BOUHLEL | Remnants
of the road are still visible.
| |
From
RAIDERS OF THE LOST ARK
© Lucasfilm Ltd., Paramount, etc.

EXT. DESERT ROAD - DAY
The
convoy is entering rougher country. The narrow moun- tain road we've
seen earlier ascends ahead. To the side of the road are tall boulders.
Suddenly, Indy shoots out from between two rocks and rides directly
for the truck.
|
|

09) NEAR BOUHLEL | Nothing
much has changed in 20 years.

10) "TANIS" | In
the foreground are pieces of plaster and styrofoam - the building materials
of the sets of the lost Egyptian city of "Tanis."
| |
From
RAIDERS OF THE LOST ARK
© Lucasfilm Ltd., Paramount, etc.

EXT. DIFFERENT DUNE - DAY
This
new spot gives Indy a higher, better view of the whole scene. Indy
is using a surveyor's instrument to take a reading-- WHAT HE SEES:
Looking through the instrument, Indy gets a line from the map room
through the site where the Nazis are digging in the dunes to a spot
several dunes over. We focus on that virgin spot of well-hidden
sand as--
INDY:
There!
|
|

11) "TANIS" | Same
spot - October 2000. In the lower left-hand corner of this photo you can
see part of a concrete foundation. I'm not sure if it was there before
the film was conceived or if it was built as part of the set. Regardless,
it appears in the film as part of the dig. So does the palm grove.

12) "TANIS" | Entrance
to the "map room."
| |
From
RAIDERS OF THE LOST ARK
© Lucasfilm Ltd., Paramount, etc.

EXT.
AMONG THE TENTS - MORNING
Indy
and Sallah move stealthily among the tents. Indy carries a smooth
wooden staff almost seven feet tall. They stop between two tents
and look across a path at the en- trance to the map room. What appeared
to be a mound of dirt is actually the roof of the ancient building.
The hole/entrance is a five-foot square skylight. Indy looks around,
then walks casually to the edge of the hole and looks inside. Sallah
joins him, producing a length of rope from his robes. Indy drops
the staff into the unseen map room as Sallah ties the rope around
an oil drum. When it's secure, Indy wastes no time disappearing
down it into the map room.
|
|

13) "TANIS" | Same
spot - October 2000. All that remains of the entrance is a hole and some
broken pieces of plaster. Of course only the "entrance" was
built here. The Map Room interior was a set on London soundstage as was
the interior of the Well Of Souls.

14) "TANIS" | This
unassuming mound was the location of the entrance to the "Well Of
Souls."
| |
From
RAIDERS OF THE LOST ARK
© Lucasfilm Ltd., Paramount, etc.

EXT. SAND DUNE OUTSIDE DIGS
With
the digs behind them, Indy and Sallah run up to the ridge of the
dune and over the top. At the bottom of the far side, Omar's truck
is parked. Omar and his men are waiting.
|
|

15) "TANIS" | "Well
Of Souls" - October 2000. I found it by matching the skyline with
that of the still above.

16) "TANIS" | All
that remains of the "Well Of Souls."

17) SIDI BOUHLEL | Approaching
storm clouds.

17)
SIDI BOUHLEL | Storm
clouds at sunset.
|