EPISODE I:
HOLLAND
EPISODE II:
GERMANY
EPISODE III:
AUSTRIA
EPISODE IV:
ITALY
EPISODE V:
TUNISIA
Itinerary 2000
Nights were spent in italicized locations.
 

2000 October 28 : Saturday


 
Sep 20

Portland
 

Sep 21 Charles de Gaulle, Delft
 
Sep 22 Amsterdam, Delft
 
Sep 23 Delft, Rotterdam, Stromberg
 
Sep 24 Dinkelsbühl, Munich
 
Sep 25 Schloss Neuschwanstein, Munich
 
Sep 26 Munich, Solnhofen, Rothenburg ob der Tauber
 
Sep 27 Rothenburg ob der Tauber, Salzburg
 
Sep 28 Berchtesgaden, Salzburg
 
Sep 29 Salzburg, Vienna
 
Sep 30 Vienna, night train
 
 
 
Oct 01 Venice
 
Oct 02 Venice, Verona, Florence
 
Oct 03 Florence, Pisa, Cinqe Terre (Monterosso)
 
Oct 04 Cinqe Terre: Riomaggiore, Manarola, Corniglia, Vernazza, Monterosso
 
Oct 05 Cinqe Terre (Monterosso), Rome: Coliseum, Forum
 
Oct 06 Palestrina, Rome: St. Peter's, Vatican Museum
 
Oct 07 Rome: Pantheon, Spanish Steps, Trevi Fountaine, Palatine Hill, etc.
 
Oct 08 Santa Maria Capua Vetere, Caserta, Naples
 
Oct 09 Pozzouli, Santa Maria Capua Vetere, Caserta, Naples
 
Oct 10 Positano
 
Oct 11 Mt. Vesuvius, Pompeii, Positano
 
Oct 12 Paestum, Positano
 
Oct 13 Positano, Amalfi, Ravello, night train
 
Oct 14 Taormina
 
Oct 15 Catania, Palermo, Trapani
 
Oct 16 all-day ferry, Tunis
 
Oct 17 Tunis, Thuburbo Majus, Zaghouan, Kairouan
 
Oct 18 Kairouan
 
Oct 19 Mactaris, Sufetula, Kairouan
 
Oct 20 Kairouan, Monastir, El Jem, Houmt Souk
 
Oct 21 Ajim, Medenine, Ksar Hadada, Tataouine
 
Oct 22 Ksar Ouled Soltane, Douirat, Chenini, Foum Tataouine, Matmata
 
Oct 23 Matmata, Douz, Chott El D'Jerid, Tozeur
 
Oct 24 Sidi Bouhlel, Chott El Gharsa, Tozeur
 
Oct 25 Chebika, Tamerza, Mides, Seldja Gorge, Tozeur
 
Oct 26 Sidi Bouhlel, Chott El D'Jerid, Tozeur
 
Oct 27 Chott El Gharsa, Chott El D'Jerid, Sidi Bouhlel, Tozeur
 
Oct 28 Chott El D'Jerid, Sidi Bouhlel, Tozeur
 
Oct 29 Dougga, Sidi Bou Said, La Marsa
 
Oct 30 La Marsa, Rome
 
Oct 31 Rome, Atlanta, Portland
 

©2001-2008 by Mitch Darby - all rights reserved.
 
STAR WARS CANYON ['cont.]

True to my word, a day or two later I was up with the sun and back at the canyon. And so was my Tunisian friend. Opening my book of stills, I turned to a section of pages showing shots from RAIDERS OF THE LOST ARK. I knew the lost city of Tanis was filmed very near this area, but the shots I had were mostly close-ups and only revealed landmarks such as palm trees. Not very descriptive to say the least. However, my new friend had ideas and after a short hike we arrived at the first telltale spot. The remnants of a dirt road and the unmistakable form of the landscape it cut through was enough to tell me that this had been the location where Harrison Ford caught up to the Nazi truck carrying the Ark Of The Covenant. The low rise before us was the same spot from where he made his final assault via horseback. After climbing it to take a photo, we continued on down the other side and into a low plain.

We walked toward a small grove of palms and upon reaching it, my friend paused to look at one of the stills. He glanced up at the landscape several times before looking over at me and pointing out the entrance to the "map room" at the top of a low hill. Disbelieving, I looked at the photo and then at the hill. A small scoop had been taken out of the top of it. Could this be the place? We climbed to the top and found that it was indeed. Pieces of plaster littered in the small depression confirmed the spot of the false opening (the interior was again, a set on a London sound stage).

Looking again at the book of stills, he pointed out the location of the landing field where the German "flying wing" had been stationed. Now a palm nursery, very little remains of the runway. Looking back the other way, he pointed towards a low ridge that bordered the flat. We descended from the Map Room entrance and walked towards the ridge. As we moved along the top of it, I noticed more patches of broken plaster. It amazed me that after twenty years, crumbling bits of the sets still remained. In some of the patches, bits of Styrofoam could be found as well. Together with the plaster, they were the building materials of the Tanis dig site. Once upon a time, they represented an ancient Egyptian obelisk or part of a stone temple. Today, they are archaeology unto themselves.

From a high point on the ridge, we could see the Map Room entrance and the location of the airfield. In addition to these, a low mound marked the center of the dig site. A large cement foundation could be seen in the foreground as well as in one of my production stills. This was the place! The only challenge left was to find the location of the Well of Souls. I targeted a low hill on the other side of the flat. Reaching it, we found more plaster and Styrofoam. The final piece of the puzzle was in place. At this spot, the entrance to the Well of Souls had been built. While the interior had been built and filmed with others in London, the exterior shots of its discovery and opening had been filmed here...

 

West of Tozeur is the smaller oasis town of Nefta. West of Nefta is the Tunisian/Algerian border. Cross the border and you will find death and chaos. However, should you turn off the road before the border you will find the following...

 

 

From STAR WARS : EP. IV : A NEW HOPE
© Lucasfilm Ltd., 20th Century Fox, etc.


EXT. TATOOINE - DUNE SEA.

Threepio, hot and tired, struggles up over the ridge of a dune; only to find more dunes, which seem to go on for endless miles. He looks back in the direction of the now distant rock mesas.

 

 


01) "LA GRAND DUNE" |
Same area - October 2000. At the crest of the dune you can see my "guide" and to the left of him another dark spot - my camel.

 


02) CHOTT EL D'JERID |
Familiar mirage.

 


03) "LARS HOMESTEAD" |
The Lars Homestead, recreated by the Episode II team on the exact same spot as the original (located by the eroded remains of 20+ year old rings of earth).

 

 

From STAR WARS : EP. IV : A NEW HOPE
© Lucasfilm Ltd., 20th Century Fox, etc.


EXT. TATOOINE - DESERT - LARS HOMESTEAD - AFTERNOON.

The Jawas mutter gibberish as they busily line up their battered captives, including Artoo and Threepio, in front of the enormous Sandcrawler, which is parked beside a small homestead consisting of three large holes in the ground surrounded by several tall moisture vaporators and one small adobe block house. The Jawas scurry around fussing over the robots, straightening them up or brushing some dust from a dented metallic elbow. The shrouded little creatures smell horribly, attracting small insects to the dark areas when their mouths and nostrils should be. Out of the shadows of a dingy side-building limps Owen Lars, a large burly man in his mid-fifties. His reddish eyes are sunken in a dust-covered face. As the farmer carefully inspects each robot, he is closely followed by his slump-shouldered nephew, Luke Skywalker.

 

 


04) "LARS HOMESTEAD" |
Late afternoon on the salt flat.

 


05) "LARS HOMESTEAD" |
Self-portrait. I'd just like to point out, once again, that I'm not wearing socks.

 

 

From STAR WARS : EP. IV : A NEW HOPE
© Lucasfilm Ltd., 20th Century Fox, etc.


EXT. TATOOINE - LARS HOMESTEAD

The giant twin suns of Tatooine slowly disappear behind a distant dune range. Luke stands watching them for a few moments, then reluctantly enters the domed entrance to the homestead.

 

 


06) "LARS HOMESTEAD" |
This is what Mark Hamill saw.

 

 

From STAR WARS : EP. IV : A NEW HOPE
© Lucasfilm Ltd., 20th Century Fox, etc.


EXT. TATOOINE - LARS HOMESTEAD

The giant twin suns of Tatooine slowly disappear behind a distant dune range. Luke stands watching them for a few moments, then reluctantly enters the domed entrance to the homestead.

 

 


08) "LARS HOMESTEAD" |
I tried to recreate the scene of photo 07a (above). My twin suns are a little too close together (same colors though!).

I visited the La Grande Dune and the "Lars Homestead" in the early mornings and late afternoons of several days (not just today). However, on this day, I spent much of the afternoon back out near the town of Bouhlel, retracing the filming sites of RAIDERS OF THE LOST ARK.

 

 

From RAIDERS OF THE LOST ARK
© Lucasfilm Ltd., Paramount, etc.


EXT. THE DESERT (VARIOUS SHOTS) - DAY

Indy cuts crosscountry avoiding the road the convoy has taken. He leaps gullies, climbs dunes, slides down slopes. Soon the convoy comes into view far below him. He tears along a parallel ridge, like an Indian shadowing a wagon train.

 

 


08) NEAR BOUHLEL |
Remnants of the road are still visible.

 

 

From RAIDERS OF THE LOST ARK
© Lucasfilm Ltd., Paramount, etc.


EXT. DESERT ROAD - DAY

The convoy is entering rougher country. The narrow moun- tain road we've seen earlier ascends ahead. To the side of the road are tall boulders. Suddenly, Indy shoots out from between two rocks and rides directly for the truck.

 

 


09) NEAR BOUHLEL |
Nothing much has changed in 20 years.

 


10) "TANIS" |
In the foreground are pieces of plaster and styrofoam - the building materials of the sets of the lost Egyptian city of "Tanis."

 

 

From RAIDERS OF THE LOST ARK
© Lucasfilm Ltd., Paramount, etc.


EXT. DIFFERENT DUNE - DAY

This new spot gives Indy a higher, better view of the whole scene. Indy is using a surveyor's instrument to take a reading-- WHAT HE SEES: Looking through the instrument, Indy gets a line from the map room through the site where the Nazis are digging in the dunes to a spot several dunes over. We focus on that virgin spot of well-hidden sand as--

INDY: There!

 

 


11) "TANIS" |
Same spot - October 2000. In the lower left-hand corner of this photo you can see part of a concrete foundation. I'm not sure if it was there before the film was conceived or if it was built as part of the set. Regardless, it appears in the film as part of the dig. So does the palm grove.

 


12) "TANIS" |
Entrance to the "map room."

 

 

From RAIDERS OF THE LOST ARK
© Lucasfilm Ltd., Paramount, etc.


EXT. AMONG THE TENTS - MORNING

Indy and Sallah move stealthily among the tents. Indy carries a smooth wooden staff almost seven feet tall. They stop between two tents and look across a path at the en- trance to the map room. What appeared to be a mound of dirt is actually the roof of the ancient building. The hole/entrance is a five-foot square skylight. Indy looks around, then walks casually to the edge of the hole and looks inside. Sallah joins him, producing a length of rope from his robes. Indy drops the staff into the unseen map room as Sallah ties the rope around an oil drum. When it's secure, Indy wastes no time disappearing down it into the map room.

 

 


13) "TANIS" |
Same spot - October 2000. All that remains of the entrance is a hole and some broken pieces of plaster. Of course only the "entrance" was built here. The Map Room interior was a set on London soundstage as was the interior of the Well Of Souls.

 


14) "TANIS" |
This unassuming mound was the location of the entrance to the "Well Of Souls."

 

 

From RAIDERS OF THE LOST ARK
© Lucasfilm Ltd., Paramount, etc.


EXT. SAND DUNE OUTSIDE DIGS

With the digs behind them, Indy and Sallah run up to the ridge of the dune and over the top. At the bottom of the far side, Omar's truck is parked. Omar and his men are waiting.

 

 


15) "TANIS" |
"Well Of Souls" - October 2000. I found it by matching the skyline with that of the still above.

 


16) "TANIS" |
All that remains of the "Well Of Souls."

 


17) SIDI BOUHLEL |
Approaching storm clouds.

 

17) SIDI BOUHLEL | Storm clouds at sunset.


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