| Sep
20 |
Portland
|
| Sep
21 |
Charles
de Gaulle, Delft
|
| Sep
22 |
Amsterdam,
Delft
|
| Sep
23 |
Delft,
Rotterdam, Stromberg
|
| Sep
24 |
Dinkelsbühl,
Munich
|
| Sep
25 |
Schloss
Neuschwanstein, Munich
|
| Sep
26 |
Munich,
Solnhofen, Rothenburg ob der Tauber
|
| Sep
27 |
Rothenburg
ob der Tauber, Salzburg
|
| Sep
28 |
Berchtesgaden,
Salzburg
|
| Sep
29 |
Salzburg,
Vienna
|
| Sep
30 |
Vienna,
night train
|
| |
|
| Oct
01 |
Venice
|
| Oct
02 |
Venice,
Verona, Florence
|
| Oct
03 |
Florence,
Pisa, Cinqe Terre (Monterosso)
|
| Oct
04 |
Cinqe
Terre: Riomaggiore, Manarola, Corniglia, Vernazza, Monterosso
|
| Oct
05 |
Cinqe
Terre (Monterosso), Rome: Coliseum, Forum
|
| Oct
06 |
Palestrina,
Rome: St. Peter's, Vatican Museum
|
| Oct
07 |
Rome:
Pantheon, Spanish Steps, Trevi Fountaine, Palatine Hill, etc.
|
| Oct
08 |
Santa
Maria Capua Vetere, Caserta, Naples
|
| Oct
09 |
Pozzouli,
Santa Maria Capua Vetere, Caserta, Naples
|
| Oct
10 |
Positano
|
| Oct
11 |
Mt.
Vesuvius, Pompeii, Positano
|
| Oct
12 |
Paestum,
Positano
|
| Oct
13 |
Positano,
Amalfi, Ravello, night train
|
| Oct
14 |
Taormina
|
| Oct
15 |
Catania,
Palermo, Trapani
|
| Oct
16 |
all-day
ferry, Tunis
|
| Oct
17 |
Tunis,
Thuburbo Majus, Zaghouan, Kairouan
|
| Oct
18 |
Kairouan
|
| Oct
19 |
Mactaris,
Sufetula, Kairouan
|
| Oct
20 |
Kairouan,
Monastir, El Jem, Houmt Souk
|
| Oct
21 |
Ajim,
Medenine, Ksar Hadada, Tataouine
|
| Oct
22 |
Ksar
Ouled Soltane, Douirat, Chenini, Foum Tataouine, Matmata
|
| Oct
23 |
Matmata,
Douz, Chott El D'Jerid, Tozeur
|
| Oct
24 |
Sidi
Bouhlel, Chott El Gharsa, Tozeur
|
| Oct
25 |
Chebika,
Tamerza, Mides, Seldja Gorge, Tozeur
|
| Oct
26 |
Sidi
Bouhlel, Chott El D'Jerid, Tozeur
|
| Oct
27 |
Chott
El Gharsa, Chott El D'Jerid, Sidi Bouhlel, Tozeur
|
| Oct
28 |
Chott
El D'Jerid, Sidi Bouhlel, Tozeur
|
| Oct
29 |
Dougga,
Sidi Bou Said, La Marsa
|
| Oct
30 |
La Marsa,
Rome
|
| Oct
31 |
Rome,
Atlanta, Portland
|
|
| ©2001-2008 by Mitch Darby - all rights reserved. |
JERBA
Jerba is a low, sandy
island roughly twelve miles across, that lies just off the coast of southern
Tunisia. Regarded by many as the Land of the Lotus Eaters from Homer's
Odyssey, today it boasts some of the finest white sand beaches on the
Mediterranean. Unfortunately, they are entirely monopolized by the hotel
industry. Fortunately for me, my interests were sited on the opposite
side of the island. Early the next day, that's where I headed.
The small town of
Ajim gets little mention in the guidebooks. Often described as "dreary,"
it is included only as the point of arrival via a small ferry from the
mainland. However, just a few meters off the main drag is "Mos Eisley."
Or what's left of it. Today, most of the Mediterranean vernacular architecture
that was used to such great effect in STAR WARS has either fallen down
or been replaced by more modern building methods. One can still stand
in the approximate location where Imperial Stormtroopers stopped Luke
Skywalker's landspeeder, but the surroundings no longer resemble the film.
Only the small domed structure that served as the exterior of the Cantina
remains. Originally said to have been a small bakery, today the building
is near ruin and serves as a storage shed.
Slightly subdued by
what I had found, I continued on to the other side of town. Eventually,
the paved surface gave way to a sandy track that continued along the shoreline.
It wasn't long before I came upon a small structure that I recognized
immediately. Once upon a time, the small, white, barrel-vaulted building
had served as the exterior of Ben Kenobi's house in the original STAR
WARS. That is, before 1997. Before the "Special Editions." In
reality, it's something of a fisherman's storage shed. Small seashells
litter the ground and in the back, a set of steps lead down to the shore
where a small rowboat is moored. Knowing that the interior had been filmed
on a London sound stage, I curiously stepped inside anyway only to find
a few nets, flies, and the lingering smell of gutted fish. After taking
a few photos, I continued on.
Ten minutes further
down the sandy road, I came upon the Sidi D'Jemour mosque. In the film,
this mosque is the first building Luke, Ben, and the droids come upon
as they enter Mos Eisley. It's even still visible in the Special Edition
- though heavily garnished with computer generated scenery around it.
In an early cut of STAR WARS, it was the setting of Anchorhead - a small
town where Luke meets up with his friend Biggs (who now is only seen near
the end of the present film as a rebel X-Wing pilot). I arrived to find
the mosque exactly as it appeared nearly 25 years ago. Not a soul was
around except for two small dogs. More content to sleep on the sun warmed
sand, they watched me with only a casual interest as I went about photographing
and exploring the structure.
MEDININE, KSAR
HADADA, & TATAHOUINE
Returning
to the mainland, I headed further south, intending to spend the night
in the town of Foum Tataouine - the namesake of Skywalker's home planet
of Tatooine. Along the way I stopped for lunch in Medinine. In the very
center of the modern town, are the remains of its ksar, or fortified Arab
granary. Part of this structure was used in THE PHANTOM MENACE as the
slave quarters - specifically as the entrance to young Anakin's hovel.
Relying on my collection of stills, I soon found the set of ghorfas that
were used in the film. The sand, doors, and other set details were gone,
but the other than that, the place was exactly the same. I was even able
to find a postcard that very closely recreated the angle one of the stills
I had in my collection.
After lunch, I continued
south, gradually rising into the low hills towards the small village of
Hadada. A similar ksar is located in the center of town. I parked in front
of a large sign that proclaimed in several languages that George Lucas
had come here in July 1997 to film STAR WARS. This was one of only two
such signs I encountered in my journey through Tunisia. The other was
a small sign in the Hotel Sidi Driss the simply read "Star Wars"
and had an arrow pointing to a courtyard. More on this later.
Inside Ksar Hadada,
some elements of set dressing remained. In several doorways, the futuristic
ribbing had remained as well as one painted plywood door. It seems scavengers
have taken the rest. Before the film, half of the Ksar had been restored
and turned into a hotel. Some of the doorways still had faint room numbers
above them. For the most part though, it has fallen back into disrepair.
Graffiti adorns many of the surfaces and water bottles have been littered
everywhere. I found that this was common in the country. Apparently, non-returnable
bottles are one of our cultural differences. Never-the-less, I was able
to locate the spot where Liam Neeson and Pernelia August stood as Qui-Gon
Jinn and Shmi Skywalker whilst discussing young Anakin's origins. After
a night in Foum Tataouine, I headed back north towards the town of Matmata.
|
|
In Houmt
Souk, I stayed in a converted Funduq - the Hotel Arischa.

01) HOUMT SOUK | I
ended up scoring a triple room all to myself.

02) HOUMT SOUK | Outside
of my room. Back in the days of the camel caravan, the camels would be
kept in the ground level rooms and their owners would sleep in the rooms
above them.
I spent the
morning revisiting several shooting locations from the original STAR WARS.
| |
From
STAR WARS : EP. IV : A NEW HOPE
© Lucasfilm Ltd., 20th Century Fox, etc.

EXT. TATOOINE - MOS EISLEY - STREET
The
speeder is stopped on a crowded street by several combat-hardened
stormtroopers who look over the two robots. A trooper questions
Luke.
TROOPER:
How long have you had these droids?
LUKE: About three or four seasons.
BEN: They're for sale if you want them.
TROOPER: Let me see your identification.
Luke
becomes very nervous as he fumbles to find his ID while Ben speaks
to the trooper in a very controlled voice.
BEN:
You don't need to see his identification...

EXT.
TATOOINE - MOS EISLEY - STREETS
The
half-dozen stormtroopers at a check point hear the general alarm
and look to the sky as the huge starship rises above the dingy slum
dwellings and quickly disappears into the morning sky.
|
|

03) AJIM | Same
place - October 2001. A lot has changed.
| |
From
STAR WARS : EP. IV : A NEW HOPE
© Lucasfilm Ltd., 20th Century Fox, etc.

EXT. TATOOINE - MOS EISLEY - STREET
Threepio
paces in front of the cantina as Artoo carries on an electronic
conversation with another little red astro-droid. A creature comes
out of the cantina and approaches two stormtroopers in the street.
THREEPIO:
I don't like the look of this.
|
|

04) AJIM | The
Cantina. A false entry was built just to the right of the blue door. The
interiors were shot on a London soundstage and then reshot a few months
later in a Los Angeles studio.

05) AJIM | In
back of the "Cantina." Much of the original, vernacular architecture
has sadly been lost.
| |
From
STAR WARS : EP. IV : A NEW HOPE
© Lucasfilm Ltd., 20th Century Fox, etc.

EXT. TATOOINE - KENOBI'S DWELLING
|
|

06) NEAR AJIM | The
building used as Ben's home is a small structure on the northwest side
of the island. No one lives here - it's used as a small fishing hut.

07) NEAR AJIM | Note
the boat. A series of steps leads down from the back to the shore.

08) NEAR AJIM | The
little alcove you see is the inside of the small bump on the exterior
(06 & 06a - above). The set builders took some creative license in
terms of scale when they built the interior set on a stage in London.
Watch the film again and you'll see C-3PO and Luke are seated in a much
larger alcove.
| |
From
STAR WARS : EP. IV : A NEW HOPE (SE)
© Lucasfilm Ltd., 20th Century Fox, etc.

EXT. TATOOINE - MOS EISLEY - OUTSKIRTS
|
|

09) SIDI D'JMOUR MOSQUE | Outside
of STAR WARS, I first encountered the Sidi D'Jemour Mosque in the early
1990's, in the book North African Villages by Norman F. Carver,
Jr. (pp. 182-5, 192).

10) SIDI D'JMOUR MOSQUE | Several
scenes (later cut from the film) show Luke visiting friends in the town
of Anchorhead. Those scenes were also shot here.

11) SIDI D'JMOUR MOSQUE | I
was surprised at the amount of graffitti on the mosque.

12) SIDI D'JMOUR MOSQUE | The
little brown thing in the lower right is a dog. There were two. They barely
lifted their heads off the warm sand despite my presence. I didn't see
anyone else around while I was there.
| |

13) SIDI D'JMOUR MOSQUE | The
sun came out from behind the clouds for just an instant. |
|

14) SIDI D'JMOUR MOSQUE | Inside.
It doesn't look very "Holy" now does it? I have a feeling that
it has become a site of neglect and possibly a teenage weekend drinking/smoking
hangout. Snoogins!

15) SIDI D'JMOUR MOSQUE | Interior
of the lower section. Cut scenes from the film show Luke entering this
section. A set was built in London for all the interior shots though.
From here
I went back to the mainland and continued south.
| |
From
STAR WARS : EP. I : THE PHANTOM MENACE
© Lucasfilm Ltd., 20th Century Fox, etc.

EXT. MOS ESPA - STREET - SLAVE QUARTERS - DAY
SHMI
hugs ANAKIN. QUI-GON watches from the distance. She kneels down
and looks him in the face.
|
|

16) MEDENINE | The
"slave quarters" were partially shot in the town of Medenine.
Its ksar (Berber fortified granery) is located right in the center of
town and is now used as something of a tourist mall. Many of the street
level ghorfas (rooms/cells/chambers) are souvenir shops.
| |
From
STAR WARS : EP. I : THE PHANTOM MENACE
© Lucasfilm Ltd., 20th Century Fox, etc.

EXT. MOS ESPA - STREET - SLAVE QUARTERS - DAY
|
|

17) MEDENINE | All
of the sand and set decorations have been removed. In the film, Qui-gon
& Anakin make a right when they reach the ghorfas at the end of the
square. In reality, they would have found themselves in a dead end.
| |
From
STAR WARS : EP. I : THE PHANTOM MENACE
© Lucasfilm Ltd., 20th Century Fox, etc.

EXT. MOS ESPA - STREET - SLAVE QUARTERS - DAY
|
|

18) MEDENINE | The
arch at the end of the square (look closely in 18a above) has been removed.
I suspect it may have been built by the film company.
It didn't
take long in Medenine to see all I needed to see. Besides, I was constantly
being badgered by the shopkeepers ("My friend, come look!").
So, I drove further south, into the Matmata hills to find the small village
of Hadada.
| |
From
STAR WARS : EP. I : THE PHANTOM MENACE
© Lucasfilm Ltd., 20th Century Fox, etc.

EXT. MOS ESPA - STREET - SLAVE QUARTERS - DAY
|
|

19) KSAR HADADA | Even
without the sand and set dressing, Ksar Hadada still looks like somthing
out of STAR WARS. The yellow door at left is a remnant of the filming.
| |

20) KSAR HADADA | A
closer look at the door. Most f the doors and other set dressings
have been stripped over the past couple of years by greedy "fans."
This one, along with a few others, is high enough that it has escaped
theft. At least so far. |
|
| |

21) KSAR HADADA | Most
of the doors have been removed, but some of the plastic molding remains. |
|
| |
From
STAR WARS : EP. I : THE PHANTOM MENACE
© Lucasfilm Ltd., 20th Century Fox, etc.

EXT MOS ESPA - SLAVE QUARTERS - PORCH - DAY
QUI-GON
puts the comlink away as SHMI comes onto the porch PADME, ANAKIN,
JAR JAR, and ARTOO work on the engines of the Podracer in the courtyard
below.
QUI-GON:
You should be proud of your son. He gives without any thought
of reward.
SHMI: He knows nothing of greed. He has...
QUI-GON : He has special powers.
SHMI: Yes...
QUI-GON: He can see things before they happen. That's why
he appears to have such quick reflexes. It is a Jedi trait.
|
|

22) KSAR HADADA | This
part of Ksar Hadada was the basis of a set that was built 150+ miles away
on the edge of the Chott El Gharsa. Note the shape of the porch that Qui-Gon
and Shmi are standing on - you'll see it again.

23) KSAR HADADA | Before
THE PHANTOM MENACE, Ksar Hadada was a hotel. This area was the kitchen/bar/restaurant
portion. Since filming, the structure has fallen into disrepair.

24) KSAR HADADA | This
shot appears in a cut scene on the DVD. In it, Padme (Natalie Portman)
descends the stairs. The arched room (ghorfa) at the far right was full
of spent water bottles when I visited.
| |

25) KSAR HADADA | This
was part of the restaurant. Booths were at ground level and on the
second floor as well. You can see the end of a table (built-in)
sticking out of the lower arch.
|
|
|